In the years since its foundation in 1992, it has built a global presence and profile. With a roster that boasts a wide range of leading jazz instrumentalists and singers, ACT has released some of the most influential contemporary jazz recordings of the recent past.
![tekken 2 game tekken 2 game](https://gamefaqs.gamespot.com/a/box/9/5/4/7954_back.jpg)
"Today ACT is considered one of the finest curators of progressive jazz and creative music.” DOWNBEAT. Michael Riessler’s Orange is a cleverly worked out masterpiece of cultural associations treading the borderlines between jazz, improvisation, and modern classical music. Since Riessler’s and Charial’s riffing had already been partly prepared before the recording in the beginning of 1999, their playing allows ambivalent tonal textures to seep through, leaving wide-ranging fantasies and images in sound - images which color the way from the county fair to the African market place.
Tekken 2 game series#
It ties together a whole series of irritating sounds into an amazingly open tonal network. Pierre Charial enhances the sound impressions of Orange through his instrument’s acoustic and emotional ambiguity the hurdy-gurdy stands between the mechanical and electronic, variation and uniformity, the human and the synthetic. He uses this intuitive network of tradition, and through his individual stylistic virtuosity and cunning ease of interpretation, stretches the listener’s accustomed way of hearing. On the other hand, Jean-Louis Matinier plays within the musette’s accepted line of musical tradition, in which he takes up the accordion as a juxtaposed counter-weight. The clear articulation of the words, the dramatically precise structuring of the phrases, the percussive rhythmic treatment of the melodies, and the carefully balanced integration of the whole, makes for a structural sound that is a kind of vocal architecture. Elise uses her voice as a method to combine impressions, associations, and comprehension on the same level. This process replaces the polyphonic momentum with a gradual succession of musical impressions.įor example, there is the singing. Instead of allowing the differentiated harmonic layers to emerge simultaneously on a musical plateau, the main focus by Orange is on the melodic and rhythmic succession of motifs, sound components and vocal elements. He accomplishes this change through arrangement and composition. Riessler intentionally reduces and condenses the instrumental fullness into singular succinct modes of expression. The experienced theatric singer Elise Caron had already shown Riessler her stylistic versatility during the complex vocal passages in "Honig und Asche". Accordionist Jean-Louis Matinier belongs to Riessler’s list of favorite musicians ever since their time together in the Orchestre National de Jazz at the end of the 80s. Charial played in Germany for the first time when Riessler brought him over for his "Momentum Mobile" project. For instance, the hurdy-gurdy player Pierre Charial, who has played with such contemporary composers as György Ligeti and Iannis Xenakis, along with such jazz musicians as Martial Solal and Sylvie Courvoisier. For Orange, Riessler has taken from the earlier formations and pared down the group to a quartet consisting of an unusual combination of instruments. Riessler has headed such lavish projects as Momentum Mobile (1993), Champs MagnÈtiques (1996), and Honig und Asche (1997) over the last few years projects that at times brought together a round dozen musicians onto the stage and into the recording studio. He wades into the depths of the music, searching for structures and divisions, consistencies and contrasts.
![tekken 2 game tekken 2 game](https://m.media-amazon.com/images/I/81M+6Uy+wDL._SX425_.jpg)
But then the 42 year old saxophonist, clarinetist, and composer is not interested in expressing things in the normal, accepted way. At the same time, he is open to interpretation, and so Perec’s work acts as a stimulus for Michael Riessler, as he brings his musical perceptions and awareness into play. "Je me souviens" is a key sentence around which the Parisian poet Georges Perec (1938-1982) has constructed a patchwork of narrative aphorisms.
![tekken 2 game tekken 2 game](https://gamefabrique.com/i/arcade/tekken-2.png)
(Perec, 7e arrond, Paris) "I remember that in Monopoly Breteuil avenue is green, Henri Martin avenue red, and Mozart avenue orange." "Je me souviens qu’ au ‘Monopoly’ l’avenue de Breteuil est verte, l’avenue Henri Martin rouge et l’avenue Mozart orange". "The small forgotten moments make for the greatest memories"(Perec). In Perec’s creations, key words and places become way stations in a labyrinth of memories. Just as in Perec’s literary works everyday events and common keepsakes stand for a collective memory, so the music moves in a way that speaks of a shared expanse: different modes are assembled like a puzzle, creating an overall picture of associative images.